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An Economy of Means, for miniature drumset and electronics The Colors Don't Match, for voice, piccolo, clarinet, violin, percussion, electronics 2.5 Nightmares for Jessie, for cello and two assistants Wee Robot, for 4 disklaviers and electronics A Case for Dysfunctional Persistence, for piccolo, oboe, clarinet, 2 violins, 2 basses, trumpet, trombone, tuba, accordion, percussion, piano/sampler Second Nightmare, for KIKU, for violin and two assistants Vexed, for pic, Eb clar, vln, vcl, 2 perc, pno, harp, sampler, video Twistisch II, for two performers Nightmare for JACK (a ballet), for string quartet Panik(bread), for two percussionists and 2 pianists Twistisch, for two performers Bahnhof,
for voice and electronics On Silence, for two performers
Strange Attractors, for piccolo, percussion, and electronics Uncanny Valley, a monodrama Nystagmus, for two performers Symbiosis II,
for violin, cello, piano, and computer Symbiosis I,
for tape and performative lasers nonlinear interface, for flute, violin, cello, percussion, computer filament, for flute, violin, cello, percussion, sine waves ether
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Vexed for piccolo, Eb clarinet, violin, cello, 2 percussion, piano, sampler, electronics
This piece revels in dis-synchronicity and finds bliss in rude gestures and flamboyant redundancy. The feel is raucous and carnival-like. The video follows a straight line through life's twists and turns, occasionally finding beauty in simple representational shapes before knotting up and winding out again. It is performed live with the ensemble, controlled by sampler. Performed by Ensemble Pamplemousse : Natacha Diels, Kiku Enomoto, Jessie Marino, Andrew Greenwald, David Broome; and Ensemble Adapter : Ingólfur Vilhjálmsson, Kristjana Helgadóttir, Gunnhildur Einarsdóttir, Matthias Engler.
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