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An Economy of Means, for miniature drumset and electronics The Colors Don't Match, for voice, piccolo, clarinet, violin, percussion, electronics 2.5 Nightmares for Jessie, for cello and two assistants Wee Robot, for 4 disklaviers and electronics A Case for Dysfunctional Persistence, for piccolo, oboe, clarinet, 2 violins, 2 basses, trumpet, trombone, tuba, accordion, percussion, piano/sampler Second Nightmare, for KIKU, for violin and two assistants Vexed, for pic, Eb clar, vln, vcl, 2 perc, pno, harp, sampler, video Twistisch II, for two performers Nightmare for JACK (a ballet), for string quartet Panik(bread), for two percussionists and 2 pianists Twistisch, for two performers Bahnhof,
for voice and electronics On Silence, for two performers
Strange Attractors, for piccolo, percussion, and electronics Uncanny Valley, a monodrama Nystagmus, for two performers Symbiosis II,
for violin, cello, piano, and computer Symbiosis I,
for tape and performative lasers nonlinear interface, for flute, violin, cello, percussion, computer filament, for flute, violin, cello, percussion, sine waves ether
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Twistisch II for two performers
This piece describes a ritual-turned-game where the two players perform a military-inspired dance around a vertical table, constructed specially for this piece. As the composition progresses, the two engage in a childlike game peppered by the darkness of formality and structure. The narrowness of the vertical table provides the illusion of contact between the two performers where none actually exists.
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