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Papillon and the Dancing Cranes, for 3 Constructions Cranes and ensemble. Self-Portrait, for me Princess Nightmare Moon, for violin, clarinet, piccolo, piano, percussion, electronics 35 Degrees, for 2 assistants, electric guitar, keyboard, percussion, electronics, video Elpis, for 2 sopranos, 3 assistants, soprano saxophone, french horn, cello, percussion, keyboard, electronics, video Words to Sleep By, for voice, saxophone, basson, electronics The Portal, by and for On Structure Song for Matilda & Me, for clarinet and electronics Child of Chimera, for drumset, cello, piano, electronics An Economy of Means, for miniature drumset and electronics The Colors Don't Match, for voice, piccolo, clarinet, violin, percussion, electronics 2.5 Nightmares for Jessie, for cello and two assistants Wee Robot, for 4 disklaviers and electronics A Case for Dysfunctional Persistence, for piccolo, oboe, clarinet, 2 violins, 2 basses, trumpet, trombone, tuba, accordion, percussion, piano/sampler Second Nightmare, for KIKU, for violin and two assistants Vexed, for pic, Eb clar, vln, vcl, 2 perc, pno, harp, sampler, video Twistisch II, for two performers Nightmare for JACK (a ballet), for string quartet Panik(bread), for two percussionists and 2 pianists Twistisch, for two performers Bahnhof,
for voice and electronics On Silence, for two performers
Strange Attractors, for piccolo, percussion, and electronics Uncanny Valley, a monodrama Nystagmus, for two performers Symbiosis II,
for violin, cello, piano, and computer Symbiosis I,
for tape and performative lasers nonlinear interface, for flute, violin, cello, percussion, computer filament, for flute, violin, cello, percussion, sine waves ether
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Princess Nightmare Moon for violin, piccolo, clarinet, piano, percussion, electronics
Fairytales for performers:: Phantasms return This is the fifth in a series of ‘nightmares’ written for chamber ensemble between 2012 and 2016. Throughout this series I have exploded the minute gestures executed by performers through choreography, repetition, and counterpoint. Each nightmare also describes a narrative, unique to each ensemble for which the nightmare was composed.
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